Ceramic Maskwoman aka Peggy Bjerkan

Ceramic masks - Peggy Bjerkan ‘Under The Apple Tree’



Ceramic masks - Peggy Bjerkan - female mask of woman with a partial wing ‘Waiting In The Wings’



Art of Masks – Peggy Bjerkan


Masks have always possessed a certain air of mystery that has fascinated people for centuries. Legend tells us that at ancient Greek festivals in honor of Dionysus, the god of theater, actors began wearing very large masks. Because the structures used to present the plays were so colossal, these masks bore exaggerated expressions so the actors could convey to their immense 25,000+ audiences different emotions and reactions. When the Romans conquered Greece, they adopted the Grecian love of theater, and the use of masks in celebrations and plays passed through Europe by way of their massive empire.

Currently based in St. Helena  California, Peggy Bjerkan is primarily involved in the creation of unique ceramic masks that have an amusing quality about them as some  reflect popular  English idioms, catch phrases and proverbs . Some allude to more serious human conditions, but in their quirky animated style, they always seem to convey a striking presence and flair.

How Peggy describes her mask journey…

“I started making masks a few years ago as a result of my fascination with masks as ritual objects. This interest continues to grow and evolve as time goes on. The masks have become (for me) a commentary on life and the human condition. Although my masks are not wearable and, therefore, not used in traditional ways, I hope that they have the power to communicate ideas. I especially like to emphasize humor, wit and irony in my pieces and I hope that the masks are able to speak for themselves.”

“Some of you may wonder why I’m putting so much energy into the making of masks. Well, after years of being a maker of many different things, I finally began to dabble in masks (inspired by my own collection of masks from around the world). It dawned on me, after the first few that I made, that a path was opening up before me. I knew that I didn’t want to copy foreign masks or even to borrow ideas from them. I did want to be a part of the mask tradition. Thus began my journey. Very early on, around 1998, I decided that I would make “American” masks with contemporary ideas – my contribution to the tradition. After a while, the masks became more and more personal which seemed a natural progression. I continue making them with the hope that some of the ideas I present are universal.”

Peggy Bjerkman Rose-Colored-Glasses Ceramic Mask ‘Rose Coloured Glasses’


“I use several methods to form my masks. My favorite is to sculpt over a hump (a built-up surface). I form each piece with earthenware clay and then carve it back to bring out and define the details. Sometimes I will make a mold of one of these pieces. I use the molds as starting points for new masks: either pressing soft clay into them or slipcasting. Each mask is then altered and further sculpted to become a unique piece. When the masks are completely dry – from 2 days to 3 weeks – I paint them with underglazes and fire them to cone 04. Some pieces are painted with other glazes and fired again. When all firing is completed, I use colored gessoes, acrylics and Prismacolor pencils to define the features. One to four coats of varnish are then applied. At this point, many pieces get some type of “mixed media” addition: I like to make “hair” out of my own hand-painted silk cords or bits of wire or leather. Lately, I’ve been having fun using driftwood and river stones and I sculpt many small clay parts to help each mask tell its story.”


Peggy Bjerkman Ceramic Mask See-No-Evil ‘See No Evil’



Peggy-Bjerkan ceramic mask

‘Left Behind’



the Dreamaer ceramic mask‘The Dreamer’

Peggy Bjerkman Ceramic Mask  ‘On a wing and a prayer’

This mask came to be as a result of my uncertainties about changes in my processes and materials. While at the Institute of Ceramic Studies in Shigaraki, Japan in 2003, I was truly at the mercy of the Fire Gods! Besides using a much higher firing clay, I also had to adjust my glazes to fit. As a result, I spent a lot of time holding my breath and crossing my fingers. It was during this period that “A Wing and a Prayer” was born. From Peggy’s blog..http://the-maskwoman.blogspot.com






Peggy Bjerkman Ceramic Mask A-Change-of-Heart

‘A Change Of Heart’

Extract from Peggy’s 0…..I was going to post another altered photo today but I had a “change of heart” and decided to let this mask out for an airing ( see above ). I created this piece a couple years ago – and I still have it. For some reason, the times I’ve shown the mask, it has gotten very little attention (even with the moving, changeable doors which everyone usually loves). Perhaps the message is just too obvious! Anyway, until she connects with the right home, I get to enjoy her in mine…..



‘Mind Games 2’



Midas Touch Mask ‘Midas Touch’




‘Secret Inside 2’



From-the-Ground-Up Ceramic Mask‘ From The Ground Up’



‘Earthbound 2’



‘All the King’s Horses’



‘Rising above it all’



‘Curiouser and Curiouser—this one’




‘Off On a Tangent’



‘Bird in the hand 2’



Peggy Bjerkan photo

Peggy Bjerkan

venice maskCarnevale di Venezia 2011

Venetian mask carnivale




  1. Posted November 11, 2014 at 7:37 am | Permalink

    Having read this I believed it was extremely enlightening.
    I appreciate you taking the time and effort to put
    this information together. I once again find myself personally spending a significant amount of
    time both reading and commenting. But so what, it was still worth it!

  2. Stephen Klein
    Posted November 24, 2014 at 4:39 pm | Permalink

    I know this is a long shot but… I recently came into possession of two masks, quite nice, by the way, with a makers mark on the inside, under the glaze. The mark spells out to this: CM (copyright symbol) NO.LA.#7, and #5.
    While this page places you in St. Helens, CA, I am hoping that these might be your works, or alternatively, you might know who did make them.
    I would send you some pics, but I see no way to attach them.

    You DO have some absolutely wonderful works here.
    Any help you may give would be much appreciated.

    Thanks for your response.
    Stephen Klein

  3. Anonymous
    Posted March 2, 2016 at 12:53 pm | Permalink


  4. Posted December 6, 2018 at 11:12 am | Permalink

    Your masks are wonderful! Do they all have to go against a wall, or are any of them self-standing? If so, how do you treat the open back of the mask?

    I’d appreciate your reply as soon as possible.

    Thank you,

  5. ur mom
    Posted October 13, 2021 at 4:19 am | Permalink

    ok cool bro

  6. Anonymous
    Posted March 1, 2022 at 1:04 am | Permalink

    Um wha

  7. Posted March 4, 2022 at 6:24 am | Permalink

    stan twice

  8. ur dad
    Posted March 21, 2022 at 2:26 pm | Permalink


  9. ur dad
    Posted August 15, 2022 at 9:58 pm | Permalink

    ok cool bro

  10. ok
    Posted February 4, 2023 at 2:01 am | Permalink


    nice work

  11. yomama
    Posted February 11, 2023 at 12:33 am | Permalink

    nice website

  12. Anonymous
    Posted February 15, 2023 at 1:27 am | Permalink


  13. Anonymous
    Posted October 11, 2023 at 5:34 am | Permalink


  14. nayeon
    Posted October 19, 2023 at 8:52 pm | Permalink

    pop pop pop

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