Jacques Kaufmann
Erskine, Hall and Coe are presenting an exhibition of 24 works by 14 artists, all of whom explore the classic form of a bowl in diverse and engaging ways.
18 June – 6 July 2019
These following artists are represented:
Gwyn Hanssen Pigott – Footed Porcelain Bowl
1995
Gwyn Hanssen Pigott – Porcelain Bowl
1995
Vintage bowl – Hans Coper
1950’s
Vintage Hans Coper Bowl with sgraffito abstract detail
1950’s
Hans Vango – Large White Shallow Dish
2004
Jacques Kaufmann bowl – One Hand, Wheel, Opened, 2018
with Mixed Clays
5 x 10.5 x 10cm
Jacques Kaufmann bowl base – One Hand, Wheel, Opened, 2018
James Tower — Glazed earthenware bowl
Width 37cm — 1980
Joanna Constantinidis – Deep Bowl
Stoneware, 20.1 x 19.9 cm
Joanna Constantinidis – Deep Bowl [2]
Lucie Rie 1956 — Incised Porcelain bowl
13 x 25 cm
Shugo Takeuchi – Large Bowl
c. 1990 — 22 x 53 cm
Shugo Takeuchi – Large Bowl [2]
c. 1990 — 22 x 53 cm
Shugo Takeuchi – Large Bowl [3]
Ewen Henderson teabowl
Mixed laminated clays, 9 x 12 cm
Gordon Baldwin – ‘Painting in the Form of a Bowl’
Earthenware sculptural bowl and base
1984 — 22 x 37 x 33
Gordon Baldwin – ‘Painting in the Form of a Bowl’, [2]
Gordon Baldwin – ‘Painting in the Form of a Bowl’ [3]
1984
Gwyn Hanssen Pigott – ‘Early bowl’
1970s
Gordon Baldwin — ‘Landscaped Bowl on Base’
1974
Gwyn Hanssen Pigott – ‘Gilded bowl’
c. 1985
Gwyn Hanssen Pigott – ‘Gilded bowl’ [2]
c. 1985
Lucie Rie – footed bowl of stoneware and mirror-black glaze
10.2 x 21.6 cm — 1970’s
Machiko Ogawa – Porcelain sculptural bowl
17.6 x 64.3 x 44.8 cm 2015
Machiko Ogawa – Porcelain sculptural bowl [2]
2015
Sara Flynn black folded bowl
Sara Flynn black folded bowl
Shozo Michikawa ‘Kohiki Bowl’
Stoneware, 14.5 x 31.5 x 22 cm
2005
Shozo Michikawa – Kohiki Bowl [2]
2005
Shozo Michikawa – Kohiki Bowl [3]
2005
Shozo Michikawaa- ‘Natural Ash Bowl ‘
Incised stoneware
2007
Shozo Michikawaa – Natural Ash Bowl [2]
2007
Ewen Henderson footed teabowl
Mixed laminated clays, 9 x 12 cm
Ewen Henderson described clay as ‘fluxed earth’ and saw pottery necessarily as a form of abstract sculpture whose material transformation and disintegration he sought to capture and celebrate. The roughness of his sculptures can be seen to have the same spontaneity and vigour as a sketch. Beyond his built up layers of clay, paper and grog, Henderson seeks to freeze – or rather, fire – the transience of matter.
Ewen Henderson footed teabowl [2]
Mixed laminated clays, 9 x 12 cm
Ewen Henderson footed teabowl [3]
Jacques Kaufmann bowl — One Hand, Wheel, Opened, 2018
Mixed Clays, 5.5 x 13.5 x 13 cm
Ewen Henderson–Tea Bowl
1990’34s
Ewen Henderson–Tea Bowl [2]
1990s
Ewen Henderson teabowl
Mixed laminated clays, 9 x 12 cm
1990’s
![Ewen Henderson teabowl [2]](https://www.veniceclayartists.com/wp-content/uploads/2019/06/ewen-henderson-teabowl-Tea-Bowl-1990s.jpg "ewen-henderson-teabowl-Tea-Bowl")
Ewen Henderson teabowl [2]
Mixed laminated clays, 9 x 12 cm
1990’s
Jacques Kaufmann bowl
Swiss ceramicist, Kaufmann creates sculptures that are born out of his fascination with the raw material, the process of making and the relationship between material and space. He views the goal of his work as being the experiment that occurs during all processes involved, including firing and post-firing interventions. The unexpected events that can happen in the kiln results in what he deems a gift, offered by the material, beyond the will.
Jacques Kaufmann bowl [2]
Jacques Kaufmann bowl [3]
![Jacques Kaufmann bowl [4]](https://www.veniceclayartists.com/wp-content/uploads/2019/06/jacques-kaufmann-One-Hand-Wheel-Opened-2018.jpg "jacques-kaufmann-One-Hand,-Wheel,-Opened")
Jacques Kaufmann bowl [4]
Jacques Kaufmann sculptural ceramic bowl- 2018
Mixed Clays – size 9 x 17 x 16 cm
Gertrud Vasegaard – Cylinder bowl with ears
1997
Gertrud Vasegaard worked as a ceramicist from the 1930’s until 2007 in Copenhagan – mainly independently, but also for the firms of Bing + Groendahl (49-59) and Royal Copenhagen in Denmark (59-75).
