The 2022 Taranathi Art Fair
14-17 Oct 2022 online
The Tarnanthi Art Fair supports the ethical production and sale of works of art by Aboriginal and Torres Strait Islander artists in Australia
Katherine Ngallametta — Minh Punchiy
2020
Jay Jurrupula Rostron — ‘Mimih Dancing’
Lino print on silk fabric
2022
‘Lyarra Lyarra Wren’ – Anita Ratara
‘Mabu Mayi Bush Tucker’ screenprinted cotton in shadow frame — Miss S. Chiguna
2022
‘Mayhmayh Bird ‘ — Larry Bangarr
Mima Smart — ‘Dreaming’
2022
Syd Bruce Shortjoe posing with his red tomato and potato cod sculptures made from ghost net and recycled materials.
Photograph: Paul Jakubowski
Adrian Jangala Robertson — ‘Yalpirakinu’
‘Salt Lake of Gawler Rangers’ — Beaver Lennon
Christine Tschuna – ‘Rockhole’
2021
Christine Holroyd — ‘My Grandpas Body Paint’
I remember my old people. When I was young they all had scarring from initiation on their bodies. Every clan group had their own pattern. I remember my old people painting their bodies with red and white ochre. They painted their bodies every day. You knew what clan group belonged to because of the pattern they painted on their bodies. Nowadays we still paint up only when we dance.
Coiled Pandanus Basket — Selina Nadjowh
2021 – Injalak Arts and Crafts Aboriginal Corporation
‘Connection To Country’ – Kelly Taylor
Acrylic on canvas — Arts Ceduna
Michael Mungula — ‘Gapuwiyak (Lake Evella)’
Milingimbi Art and Culture – 2022
This is a Gupapuyŋu clan story which the artist’s father Tom Djäwa also painted. The central circle represents both an emu nesting ground and the lake of Gapuwiyak. Emu (Wurrpaṉ) tracks lead to and from the nest within the vertical and horizontal bands. The Wurrpaṉ’s food (yukuwa) bush berries is also represented. These elements are all part of Gupapuyŋu yaraŋu (public) cosmology.
‘Ngalmangiyi Long Necked Turtle’ — Connie Nayinggul
2022
‘Turtle Plate’ — Graeme Beamish Bonnington
Luke Djalagarrarra ‘Bird’
2022
‘Mangroves at Night’ – Maxine Charlie
2018
‘Whale Dreaming’ — Verna Lawrie
2021
‘Kija Country’ screenprinted linen in shadow frame — Rowena Morgan
Marie Manadoblock — printed cotton
Tanya Singer photography
‘Sea Turtle With Fish’ — Elliot Koonutta
‘Thepa Ntjaarra Birds’ — Anita Ratara
2022
Mervyn Rubuntja etching
‘Yapa Honey Ant Dreaming’, 2021
Nancy Jackson and Mrs Burke near Warakurna Western Australia, 2011
photo by Rhett Hammerton
Mududu Mud Crab And Romolo — Lucy Yarawanga-2022
Babbarra Womens Centre
Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala
— presented by the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. The major exhibition features two extraordinary works by Manydjarri and his father, Muwarra Ganambarr amongst an ambitious collection of 90 important barks from artists from Yirrkala and surrounding homelands. MAḎAYIN will tour through the United States until 2024, beginning with the Hood Museum at Dartmouth, September 3- December 4, 2022.
Wilson Manydjarri Ganambarr in Milingimbi with Maṉa ga Dhukururru Ancestral Shark and Sacred Rock natural pigments on bark
Dhambit Munungurr — ‘Ocean’
–natural pigments and acrylic on eucalyptus bark
2019
Doris Bush Nungarrayi
Kelly Taylor
“I blend and overlap colors to bring out the beautiful eye catching effect of ancient art fusing the traditional with the contemporary.”
‘Living on Country’ — Kelly Taylor
Freda Brady – Ngayuku Ngura My Country
Weaving from the Milingimbi artists
Milingimbi Art and Culture Centre
Ngadiyali Russell Wanapuyngu
photo – Ben Ward
Tony Raguwanga Cameron — ‘Dog’
Gunga (Pandanus Spiralis) fibre sculpture
Mylene Holroyd — ‘Shell Women’ 2022
Ashley Fitzgerald
‘Freshwater story’ – Tony Raguwanga Cameron – Acrylic on Canvas
Freshwater story paintings of animals and plants that live in freshwater billabongs like Baypinga (Saratoga), Yangura (long necked turtle), Dakuwa (Freshwater crayfish), Madalaytj (Short necked turtle), Baritjar (catfish), Djaykung (filesnake) and Dhatam (water lily). These are all favourite foods for Yolngu.
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